TULUNGAGUNG – The legacy of Yono Prawito Tayub songs continues to shape traditional music in East Java as Indonesia marks National Music Day 2026.

Musicians in Tulungagung still remember Yono Prawito as one of the most influential figures in the region’s tayub tradition. Born on March 23, 1949, he built a reputation as a master kendang drummer and a prolific composer.

Yono came from Batangsaren Village in Kauman District. Over time, he developed a distinctive ukel kendang rhythm pattern that many tayub performers still follow today.

During his lifetime, Yono created around 300 tayub songs. However, producers released only about 160 of those works in album recordings.

His daughter, Purna Istriati, said her father started gaining recognition as a drummer and composer in his mid-twenties. He wrote his first song, Aja Cidra, in 1976.

“After that, my father kept composing tayub songs,” Purna said.

Yono often drew inspiration from everyday life. For example, he wrote the song Plenggong after recalling a simple cassava-based dish his family often ate during difficult economic times.

Besides writing songs, Yono also developed his own kendang playing style. Musicians later called the rhythm the gecul drumming style.

The lively rhythm quickly attracted attention among performers. As a result, many tayub musicians began adopting the style in their performances.

“My father created a unique drumming style, and many musicians still imitate it today,” Purna explained.

Throughout his career, Yono frequently performed his compositions with the Mardhi Budaya karawitan ensemble. The group played an important role in shaping his musical journey.

Even near the end of his life, Yono continued preserving his works. In 2004, one year before his death, he began archiving his songs using a manual typewriter.

Every day he typed one page of song documentation. Meanwhile, his handwritten musical notes remain preserved by the family.

Yono Prawito passed away on September 24, 2005, at the age of 54. However, his musical influence continues to live on.

Today, many performers across Tulungagung and other parts of Java still play Yono Prawito Tayub songs.

One of his most recognized compositions accompanies Reog Kendang performances, especially the piece Kulon Kutha Tulungagung. In addition, hundreds of other titles remain part of the region’s traditional music heritage.

Researchers have also studied his work. In 2013, students from the Indonesian Institute of the Arts (ISI) Surakarta examined his compositions and concluded that his music introduced a distinctive style to Javanese traditional music.